By Kristin Hannah
She doesn't be mindful who she is or how she got here to the mansion at the remoted Maine coast. misplaced in an odd global packed with even stranger faces, Selena unearths convenience in a guy whose eyes replicate her personal aloneness.
He is Ian Carrick, a super general practitioner became recluse, hiding from lifestyles within the anonymity of this small sanctuary, haunted via a telepathic present that has destroyed his wish to heal.
Selena involves him, the one individual he's ever met who's resistant to his psychic powers. A captivating blameless, she turns his existence the wrong way up, bringing mild into the darkness and laughter into the silence. For her, he starts off to think in lifestyles back, to think in himself. after which a mysterious determine from the previous arrives, threatening to wreck their wonderful love and the myth international they've got created together....
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Additional resources for Waiting for the Moon
You must lend me these, Basil,’ he cried. ‘I want to learn them. ’ ‘Oh, I am tired of sitting, and I don’t want a life-sized portrait of myself,’ answered the lad, swinging round on the music-stool, in a wilful, petulant manner. When he caught sight of Lord Henry, a faint blush coloured his cheeks for a moment, and he started up. ’ ‘This is Lord Henry Wotton, Dorian, an old Oxford friend of mine. ’ ‘You have not spoiled my pleasure in meeting you, Mr. Gray,’ said Lord Henry, stepping forward and extending his hand.
Ian Small (Oxford: Oxford University Press, ). –––– Studies in the History of Renaissance (), revised and expanded as The Renaissance (), repr. in The Renaissance: Studies in Art and Poetry––The Text, ed. Donald L. Hill (Berkeley and Los Angeles: University of California Press, ). Hill’s edition notes the textual variants in the four editions of The Renaissance that Pater published during his lifetime. Suetonius, Lives of the Caesars, ed. and trans. Catharine Edwards (Oxford: Oxford University Press, ).
Basil, this is extraordinary! ’ Hallward got up from the seat, and walked up and down the garden. After some time he came back. ‘Harry,’ he said, ‘Dorian Gray is to me simply a motive in art. You might see nothing in him. I see everything in him. He is never more present in my work than when no image of him is there. He is a suggestion, as I have said, of a new manner. I ﬁnd him in the curves of certain lines, in the loveliness and subtleties of certain colours. ’ asked Lord Henry. ‘Because, without intending it, I have put into it some expression of all this curious artistic idolatry,* of which, of course, I have never cared to speak to him.
Waiting for the Moon by Kristin Hannah