New PDF release: Theatrical Scene Painting: A Lesson Guide, 2nd edition

By Associate Professor William H. Pinnell B.A. M.A.

ISBN-10: 0809327651

ISBN-13: 9780809327652

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Should one create a sense of serenity or ill at ease? ]s a fireplace to be made of crisp, aqua ceramic 28 tiles or seasoned orange-brown bricks? 1he use of temperature in color and the illusions of texture are the keys to the visual expression entrusted to and controlled by the scene painter. I n its simplest form, all illusionary painting requires the mixing of three hues of the predominant color: a base, a tint, and a shade. 4. Mixing the Base, Tint, and Shade To produce almost all types of scene-painting techniques, from texturing to detail work and regardless of the type of paint used, a minimum of three hues of a color are used.

Those colors possessing predominant proportions of blue, purple, or green arc soothing to t he eye and are referred to as cool. Colors having a predominance of red, orange, or yellow are striking and energetic, arouse emotion, and arc warm . Taking these categories to extreme will render them cold or hot. Cool and cold colors have a tendency to lie dormant or lend an illusion of distance to objects. They may seem to recede from the observer and, thus, are passive in nature. W arm and hot colors are energetic and create an excitement that can be forceful and seem to approach the observer.

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Theatrical Scene Painting: A Lesson Guide, 2nd edition by Associate Professor William H. Pinnell B.A. M.A.


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