Read e-book online The Poetics of Slavdom: The Mythopoeic Foundations of PDF

By Zdenko Zlatar

ISBN-10: 0820481181

ISBN-13: 9780820481180

Among 1400 and 1878, nearly all of Southern Slavic peoples persisted a number of centuries of Ottoman rule. within the 19th century there has been a stream between either the Croats and the Serbs to put aside local, ethnic, non secular, and cultural transformations so one can interact towards the liberation of the entire Southern Slavs from the Ottoman yoke. those volumes discover how the masterpieces of 2 major poets one of the Croats and Serbs - Ivan Mažuranić (1814-1890) and Petar II Petrović Njegoš (1813-1851), who was once Prince-Bishop of Montenegro from 1830-1851 - handled the Southern Slavs’ dating to Islam of their maximum poetic works, The demise of Smail-agha Čengić and The Mountain Wreath, respectively.

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The writer: Zdenko Zlatar is Reader in Slavic heritage on the collage of Sydney the place he has taught Russian, East eu, and sleek ecu historical past for the reason that 1979. he's vice chairman of the fee internationale des études historiques slaves in Paris. he's the writer of 4 different books together with The Slavic Epic: Gundulic’s Osman (Peter Lang, 1995), which including the 2 volumes of The Poetics of Slavdom types Zlatar’s Slavic epic trilogy.

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Extra info for The Poetics of Slavdom: The Mythopoeic Foundations of Yugoslavia, Volume 1

Example text

From the first section several statements are important for putting the second section in its proper context. And the first such thing is Orbini&s explanation of the origins of all the Slavs. He repeated the opinion of several authors that Scandinavia was the cradle of all the nations, and thus, of the Slavs as well. The Slavs, however, were not known in history under that name, but rather as the ^^Goths&&. Orbini thus assigns to the Slavs a Gothic theory about the origins of the Slavs, namely that the Goths are Slavs: the identification of the Slavs with the Goths is found in The Chronicle of the Priest of Dioclea.

E. it is written with an in-built message> it is a manifestation of Dubrovnik&s belief in the revival of the fortunes of the ªSouthº Slavs, and thus a manifesto of Dubrovnik&s own brand of PanSlavism usually referred to as ^Slavism& ªslovinstvoº. Îivo Gundulic;&s Osman is both a Pan-Slav and an anti-Turkish epic. It is an epic which is structured around the central theme of the Wheel of Fortune ªkolo od srec;eº. This central metaphor is extremely common in medieval and Renaissance literatures of both the East (Byzantium) and the West,17 but nowhere is it stated more powerfully than in the very opening verses of Gundulic;&s Osman> Ah, what are thou boasting of, O vain human arrogance$ The more thou spreadest thy wings, The lower wilt thou fall!

Ivo Gundulic;&s Osman is both a Pan-Slav and an anti-Turkish epic. It is an epic which is structured around the central theme of the Wheel of Fortune ªkolo od srec;eº. This central metaphor is extremely common in medieval and Renaissance literatures of both the East (Byzantium) and the West,17 but nowhere is it stated more powerfully than in the very opening verses of Gundulic;&s Osman> Ah, what are thou boasting of, O vain human arrogance$ The more thou spreadest thy wings, The lower wilt thou fall!

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The Poetics of Slavdom: The Mythopoeic Foundations of Yugoslavia, Volume 1 by Zdenko Zlatar


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