Read e-book online The Craft of Modal Counterpoint PDF

By Thomas Benjamin

ISBN-10: 0203997204

ISBN-13: 9780203997208

ISBN-10: 0415971713

ISBN-13: 9780415971713

"The Craft of Modal Counterpoint" is the significant other ebook to Benjamin's "The Craft of Tonal Counterpoint," lately republished in a moment variation through Routledge. Modal counterpoint is the fashion of composition that was once hired until eventually the "tonal" revolution pioneered by way of Bach; it's the foundation for many Early tune. Benjamin, a composer and pedagogue, deals an entire research of this crucial musical type. He starts off through masking common features of the fashion, then covers intimately , 3, and four-part counterpoint. The Motet, an enormous kind of vocal composition during this interval, is studied individually. The ebook concludes with a quick anthology of key rankings, 15 in all, for the scholar to review additional. additionally comprises 132 musical examples.

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Extra info for The Craft of Modal Counterpoint

Example text

The following are some general observations concerning the treatment of leaps: 22 The Craft of Modal Counterpoint • The larger intervals tend to occur with the slower note values. The faster the motion, the more the tendency to move conjunctly. Example 19 • Leaps are most often approached and followed by motion in the opposite direction, for balance. Successive leaps occur most typically in white notes, forming triadic outlines. Example 20 Example 21 • In ascending motion, the larger intervals usually come first; in descending, the smaller first.

The voices often move in different note values, and passages of simultaneous motion (homophony) are usually short. The meter is expressed mainly through dissonance placement and cadences, and it is subtly obscured through the use of ties, dotted values, strong-beat rests, the placement of whole notes starting on beats two or four, and suspensions. Texture Two-voice counterpoint in this style is usually imitative, tending less to the homophonic (familiar) style than does music with three or more voices.

A considerable agreement existed among the composers of the time as to the allowable types of dissonances, their introduction, resolution, and placement in the measure. In general, one never leaps to or from a dissonance, with the exception of the second note of the cambiata figure. Only values shorter than the brevis ( ) or the semibrevis ( ) can be dissonant. The passing tone and suspension are the most common dissonances. In two-voice writing, no note longer than a quarter can be dissonant against notes of equal value.

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The Craft of Modal Counterpoint by Thomas Benjamin


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