Read e-book online Science Fiction Cinema : Between Fantasy and Reality PDF

By Christine Cornea

This significant new examine deals a wide ancient and theoretical reassessment of the technology fiction movie style. The publication explores the advance of technology fiction in cinema from its beginnings in early movie via to fresh examples of the style. each one bankruptcy units analyses of selected motion pictures inside a much broader historical/cultural context, whereas targeting a selected thematic factor. The ebook hence offers important and particular views in its method of the style, which come with dialogue of the relevance of psychedelic imagery, the 'new girl of science', established functionality and the superiority of 'techno-orientalism' in fresh movies. whereas American movies should be one of many precept parts coated, the writer additionally engages with various pertinent examples from different international locations, in addition to discussing the centrality of technology fiction as a transnational movie style. the movies mentioned comprise: "The Day the Earth Stood Still", "The physique Snatchers", "Forbidden Planet", "The Quatermass Experiment", "2001: an area Odyssey", "Demon Seed", "Star Trek: The movement Picture", "Star Wars", "Altered States", "Alien", "Blade Runner", "The Brother from one other Planet", "Back to the Future", "The Terminator", "Predator", "The One", "Dark City", "The Matrix", "Fifth Element" and "eXistenZ". Its key positive aspects are: it's thematically organised to be used as a direction textual content; it introduces present and previous theories and practices, and offers an outline of the most subject matters, ways and parts of analysis; covers new and burgeoning techniques equivalent to universal functionality and points of postmodern id; and, contains new interviews with the various major practitioners within the box: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy grey.

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Additional info for Science Fiction Cinema : Between Fantasy and Reality

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These were cheaply produced magazines aimed at a mass market. e. detective, war, adventure and western fiction). From these emerged the science fiction pulps, although the term was not in regular use until later in the decade. The pulp Amazing Stories (first published in 1926) is generally regarded as the first science fiction magazine, although its creator, Hugo Gernsback, originally called it a ‘scientification’ magazine. Amazing Stories was followed by Astounding in 1930. Originally published under the name Astounding Stories of Super-Science, its stories were largely taken up with wondrous machines and the ‘hard’ science fiction gadgetry of an exciting future world.

Robert Wise, 1951) is prominent for featuring a visitation from an apparently benign, humanoid alien (Klaatu) and his accompanying robot (Gort). From the outset, the imminent arrival of the flying saucer is communicated across the world as the opening montage reveals various national radio and television stations warning of a UFO circling the earth and eventually heading in to land in Washington DC. The police and military, accompanied by a large group of civilian sightseers, surround the saucer and witness Klaatu 37 SCIENCE FICTION CINEMA (Michael Rennie) emerge and present a small but unfamiliar technological device to the assembly.

Gordon, 1958], Earth Versus the Spider [dir. Bert I. ). Made on shoestring budgets, among fan circles these films are celebrated for what are considered to be the wooden acting, clumsy plot lines and laughable special effects. 30 SCIENCE FICTION FILMS IN THE 1950s The 1950s was the decade that marked the beginning of the end for the Hollywood studio system when, following the Paramount decrees of 1949 and the separation of the studios from the major theatrical exhibition outlets, the oligopoly of the major studios began to break down.

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Science Fiction Cinema : Between Fantasy and Reality by Christine Cornea


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