By Adrian Johns
Because the upward thrust of Napster and different dossier sharing companies in its wake, so much people have assumed that highbrow piracy is a made of the electronic age and that it threatens artistic expression as by no means ahead of. The movie organization of the USA, for example, claimed that during 2005 the movie misplaced $2.3 billion in profit to piracy on-line. yet right here Adrian Johns indicates that piracy has a miles longer and extra important heritage than we've realized—one that has been mostly forgotten and is little understood.
Piracy explores the highbrow estate wars from the appearance of print tradition within the 15th century to the reign of the web within the twenty-first. Written with a historian's aptitude for narrative and glowing aspect, the publication swarms all through with characters of genius, precept, crafty, and outright felony reason: within the wars over piracy, it's the victims—from Charles Dickens to Bob Dylan—who have continually been the easiest identified, however the imperative players—the pirates themselves—have lengthy languished in obscurity, and it's their tales in particular that Johns brings to lifestyles in those shiny pages.
Brimming with broader implications for today's debates over open entry, reasonable use, loose tradition, etc, Johns's ebook finally argues that piracy has consistently stood on the heart of our makes an attempt to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and highbrow options as usually because it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub road to Google, no bankruptcy within the tale of piracy evades Johns's sleek research in what's going to be the definitive historical past of the topic for future years.
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Extra resources for Piracy: The Intellectual Property Wars from Gutenberg to Gates
34 Both Atkyns himself and his intended readers (the MPs of the Cavalier Parliament) must have recognized this reference and understood its significance. It had been much quoted—often, as in Atkyns’s case, without attribution—by all sides in the civil war. Indeed, once one is aware of it, one begins to see it everywhere in the politics of the period. ”35 Milton invoked it. 36 And it is even possible that Atkyns got the story from his own printer, a remarkable soldier, political theorist, and pamphleteer named John Streater.
Suppose you were a bookseller and intended to publish a certain book. In principle, your first step would be to get the manuscript licensed, perhaps by a chaplain to the Archbishop of Canterbury. You would then go to Stationers’ Hall to register it, paying the clerk a nominal fee to enter its details (title, author, maybe formal characteristics) into the book. Then you would have to invest a substantial amount in manufacturing it. You might finance its printing yourself, although you could ask the author to pay for the paper.
42 40 3 The Piratical Enlightenment The Glorious Revolution ruined the prospects for an absolutist culture of print in England. After 1688, the idea that the medium itself was the property of the Crown, which might administer it through a caste of gentlemen patentees employing printers as their servants, came to seem outlandish. Instead, the book trade’s autonomy was reinforced. The trade concentrated on rights in particular works, which a cadre of major booksellers administered as commercial speculations.
Piracy: The Intellectual Property Wars from Gutenberg to Gates by Adrian Johns