By Mary Renault
Cautious souls discover the potential for new love
On holiday within the North Devon nation-state, Neil Langton seems again at the wreckage of his prior. the injuries from his former marriage are nonetheless uncooked; his spouse cheated on him and his younger daughter died. the trainer and rock climber believes wish to be in the back of him until eventually he comes throughout Ellen, a tender girl staying on the similar guesthouse as he, and whom he saves from a mountainside twist of fate. suffering to house her emotions for a pilot step-cousin who died in carrier, Ellen has her personal romantic scars. If their connection is to undergo, Neil and Ellen needs to conscientiously confront their painful pasts.
Filled with a memorable forged of secondary characters in austerity Britain, North Face is a love tale wealthy in surroundings and pressure, from a grasp of the novelist's craft.
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Additional info for North Face
You must lend me these, Basil,’ he cried. ‘I want to learn them. ’ ‘Oh, I am tired of sitting, and I don’t want a life-sized portrait of myself,’ answered the lad, swinging round on the music-stool, in a wilful, petulant manner. When he caught sight of Lord Henry, a faint blush coloured his cheeks for a moment, and he started up. ’ ‘This is Lord Henry Wotton, Dorian, an old Oxford friend of mine. ’ ‘You have not spoiled my pleasure in meeting you, Mr. Gray,’ said Lord Henry, stepping forward and extending his hand.
Ian Small (Oxford: Oxford University Press, ). –––– Studies in the History of Renaissance (), revised and expanded as The Renaissance (), repr. in The Renaissance: Studies in Art and Poetry––The Text, ed. Donald L. Hill (Berkeley and Los Angeles: University of California Press, ). Hill’s edition notes the textual variants in the four editions of The Renaissance that Pater published during his lifetime. Suetonius, Lives of the Caesars, ed. and trans. Catharine Edwards (Oxford: Oxford University Press, ).
Basil, this is extraordinary! ’ Hallward got up from the seat, and walked up and down the garden. After some time he came back. ‘Harry,’ he said, ‘Dorian Gray is to me simply a motive in art. You might see nothing in him. I see everything in him. He is never more present in my work than when no image of him is there. He is a suggestion, as I have said, of a new manner. I ﬁnd him in the curves of certain lines, in the loveliness and subtleties of certain colours. ’ asked Lord Henry. ‘Because, without intending it, I have put into it some expression of all this curious artistic idolatry,* of which, of course, I have never cared to speak to him.
North Face by Mary Renault