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This is what you mightcall a (contd) classiciazz motiti la SonnyRollins. In this case,we have minor3rds ascendingin major3rds. Althoughusingthe diminishedscaleover these minorchordscreateschromaticnotes, "colors"thatsoundgood. n. nic. al Rock This hot rocklick fits in the bluesbox and makesuse of repeatedbendsto the root. watch the timingon the sextuplets. The lastG shouldbe landingjust before the downbeat ot 4. |.. F l @ t"as Blues Playthisone withrotsof rexas attitude. Try rakingintothe firstnote.

Lod. ic Mi. lt alsodoesso in a melodicway-with interesting intervals. (f3) 36 O Me. lod. ic Mi. A melodic minorscaleplayed upa halfstepfromthedominant chordcreates thesoundwealsocallthealtered scate. D71il9; @ M"t. playthisone witha lot pull-offs. This kindof picking,very mucha partof the Methenystyle,can increaseyourspeedand legatofeel. @ Minor ii. V. lt startswith lt thenmovesdownthe E stringwitha smoothchromatic arpeggiosof AbmaTand DmiZ(b5). one-octave line that colorsthe dominantchord-check out the fingeringon this part.

Lt beginswitha bendfromthe D up to the E. Afteryou releasethe tap, releasethe bendback to D and whileit's still ringing,bend rightback up to E. lt endswitha seriesof tapped16th-note triplets. O Two Tri. This twotriad approach createsan upper-structure soundto an A7 chord-Ag(f,S). A7 #4-: 59 @ U". i. dent. i. fied Fly. ing Fin o g¤rS Breakingup the box positionwith some leapingfingerjumps is the main purposeof this lick. You'llbe you can invent. amazedat what B7 TTAAAAI tAAAat't @ LJn. us o u. al Bend.

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Musicians Institute - Guitar Licktionary by Hill D


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