Download e-book for kindle: Materialities: Books, Readers, and the Chanson in by Kate van Orden

By Kate van Orden

ISBN-10: 0199360642

ISBN-13: 9780199360642

Ephemeral, fragile, usually left unbound, sixteenth-century songbooks led fleeting lives within the wallet of singers and at the song desks of instrumentalists. continually in motion, they have been endlessly getting used up, changed, or deserted as methods of examining replaced. As such they record the acts of early musicians and the practices of daily life on the unseen margins of elite society.
Materialities is a cultural historical past of track at the web page. It addresses a sequence of relevant questions about the audiences for written track by way of targeting the 1st style to be commercialized via track printers: the French chanson. students have lengthy under pressure that chansons signify the main widely disseminated polyphony of the 16th century, yet Materialities is the 1st publication to account for the cultural achieve of the chanson throughout a substantial cross-section of eu society. Musicologist Kate van Orden brings wide fundamental examine and new analytical types to endure during this awesome background of songbooks, track literacy, and social transformation throughout the first century of track printing. via monitoring chansons into deepest libraries and schoolrooms and placing chansonniers into discussion with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the sluggish moralization of track, and the methods young children realized their letters and notes. Its clean conclusions revise numerous universal assumptions concerning the price early moderns attributed to published track, the degrees of literacy required to accomplish polyphony, and how musicians did or didn't "read" their songbooks.
With musical views which may invigorate reviews of print tradition and the background of studying, Materialities is a vital advisor for musicologists operating with unique assets and historians of the e-book attracted to the vocal performances that operated along print.

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Download e-book for kindle: Materialities: Books, Readers, and the Chanson in by Kate van Orden

Ephemeral, fragile, frequently left unbound, sixteenth-century songbooks led fleeting lives within the wallet of singers and at the tune desks of instrumentalists. regularly in motion, they have been ceaselessly getting used up, changed, or deserted as methods of studying replaced. As such they record the acts of early musicians and the practices of way of life on the unseen margins of elite society.

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Extra info for Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe (The New Cultural History of Music)

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It was this desire to understand chanson culture more holistically that kept me heading back to the silent reading rooms of libraries, to see—collectively—how the physical forms of the books could play into stylistic analyses of the songs they contained. ”6 According to such histories, texts cannot be studied in abstraction from the objects that captured them and through which they became gifts, commodities, social pastimes, and even refuse. And so I determined to test what those sometimes rough-hewn books of song verse and music could reveal about their early owners and music-making at the time.

Typographic conventions that differentiate between roman typefaces and French caractères de civilité delineate separate communities of readers and the social milieus presumed by graphic design. Layouts stage physical relationships among singers. —is to interrogate material objects directly, triggering a history of music that 42 For a detailed explanation of the working methods of a music press, see Boorman, Ottaviano Petrucci, ch.  David McKitterick pursues a sustained critique of the notion of print’s sameness in McKitterick, Print, Manuscript, and the Search for Order, chs.

6–9, 12, 15, 17–20, 30–31, 40–42, 44–45, 54–55, 62, 65, 80–83, 86. 1 below. 27 One volume of each set survived the centuries: the Superius of the in-octavo prints was owned by Alfred Cortot; the Contratenor/Bassus volume in-quarto is still in Castell. See Heartz, Pierre Attaingnant, 133–34. 28 Bound volumes were much more expensive by comparison. For example, another German collector, Sebastian Grolande of Nuremberg, purchased books 1–9 of Jacques Moderne’s Parangon des chansons series, a set of oblong quarto prints in table layout that taken together made for a thick book of 288 folios.

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Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe (The New Cultural History of Music) by Kate van Orden


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