By Allen Steele
On Mars, a study staff encounters an historic puzzle that just a guitarist can solve.
In 2029, an American study workforce ventures to Mars to enquire an remarkable locate: a labyrinth older than humanity itself, whose maze of rooms conceals the private secrets and techniques of the pink planet. within the ultimate chamber, unusual tune performs, as chilling because it is gorgeous. will probably be the very last thing the scientist who discovers it ever hears. because the song rises to a climax, the chamber door closes, leaving him to die within the pitch dark.
Where one explorer has failed, Ben Cassidy must never. An across the world recognized guitarist, his song is the nearest factor on the earth to Mars’s lethal hymn. the govt sends him into house to resolve a planetary secret, yet what Cassidy encounters is a staff of researchers whose jealous festival is each piece as risky because the secrets and techniques of Mars.
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Extra resources for Labyrinth of Night (Near-Space, Book 4)
It asks itself. (Chapter XV) The muddying of generations and generation reflects the confusion Mary Shelley felt regarding her own involved family situation, surrounded by the half-sisters of both her mother's earlier and her father's later liaisons. Some critics have read into the more macabre scenes of Frankenstein undertones of vampirism (a favourite with Lord Byron) and incest, i shall be with you on your wedding night,' cries the creature to Victor, who is in a sense its mother and father.
I often feared that his suffering had deprived him of understanding . . He is generally melancholy and despairing . ' 36 This is not the monster but Victor, before Victor tells his story to Walton. We have only his word for the story's accuracy, just as, finally, we have only the monster's promises, as he disappears into darkness and distance, that he will destroy himself. The outcome of all the trials (there are four in the book) are unreliable; are we then encouraged to trust our witnesses? i am the assassin of these most innocent creatures; they died by my machinations'; again not the monster but Victor is speaking of the deaths his creature caused.
Surprisingly, the novel ends on a tranquil note. Instead of Frankenstein's final darkness and distance, distance here embraces the light, the glorious light of the south, the equator. The one survivor is another sort of Adam, more solitary than ever Frankenstein's creature was. The name Verney is probably a tribute to Volney, the French count, Constantin Francois de Chasseboeuf, whose revolutionary book, Les mines, ou Meditations sur les revolutions des empires (1791), describes the rise and fall of ancient civilizations and the prospects for a future in which tyranny will be abolished.
Labyrinth of Night (Near-Space, Book 4) by Allen Steele