Kierkegaard Studies Yearbook 2008 (Kierkegaard Studies by CappelA?A?rn, Niels JA?A?rgen PDF

By CappelA?A?rn, Niels JA?A?rgen

ISBN-10: 3110205335

ISBN-13: 9783110205336

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Additional resources for Kierkegaard Studies Yearbook 2008 (Kierkegaard Studies Yearbook)

Sample text

How can human beings, as creatures living at the intersection of time and eternity, make sense of their lives? How can we validate both time and eternity without fleeing from the eternal into the temporal or the temporal into the eternal? On this point I will conclude. There is much more that could be said. Woven throughout the texts of Either/Or are many more pointers to the authorship to come. For example, the theme of despair, not fully developed until near the end of the pseudonymous authorship in the Sickness unto Death, makes a repeated appearance even in this early work.

BI, 247 u. 280 / SKS 1, 282 u. 311. BI, 285 / SKS 1, 315. Vgl. KT, 26-29 u. 32-34 / SKS 11, 146-148 u. 151-153. Exemplarisch ist diese Aufnahme romantischer Motive und Textpraktiken von Hagemann nachgewiesen worden in einem Vergleich des Vorworts der Elixiere des Teufels von E. T. A. Hoffmann und der „Fundanzeige“ der Stadien auf des Lebens Weg (vgl. Hagemann Reden und Existieren, S. 28). 40 Philipp Schwab Die folgenden Ausführungen sollen vielmehr die These erhärten, dass Kierkegaard bei aller Polemik gegen den romantisch-ästhetischen Existenztypus die Struktur romantischer Ironie produktiv in seine eigene, von ihm selbst mehrfach hervorgehobene und reflektierte Methode einer indirekten Mitteilung übersetzt.

Green Abstract Either/Or was written not only as the first work in Kierkegaard’s authorship, but also in some ways as a deliberate prelude to that authorship. More precisely, it serves as a keynote or overture to the authorship. Using the Latin word for work, Either/Or is the overture to Kierkegaard’s opera. I examine here the evaluative account of an overture offered in Either/Or in connection with the discussion of Mozart’s Don Giovanni. By focusing on several key sections of the Either/Or, I also show that in many ways Either/ Or fulfills the requirements that it establishes for a good overture.

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Kierkegaard Studies Yearbook 2008 (Kierkegaard Studies Yearbook) by CappelA?A?rn, Niels JA?A?rgen

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