Get Jazz of the 50's (Jazz Bible Fake Book Series) PDF

By Rob DuBoff

ISBN-10: 0793558085

ISBN-13: 9780793558087

This nice pretend e-book within the Hal Leonard Jazz Bible sequence contains two hundred of the easiest jazz tunes from the Nineteen Fifties. positive factors huge measurement track notation, a chord word list, artist and name indexes, and customary utilization chords. Songs highlights: Alice in Wonderland * Autumn Leaves * past the ocean * Born to Be Blue * Cry Me a River * I Wanna Be enjoyed * i am past due * If I should still Lose You * In Walked Bud * woman fowl * Lazy Afternoon * misplaced within the Stars * My One and in simple terms Love * Picnic * Stella by means of Starlight * Stolen Moments * Tenderly * Unchained Melody * whilst Sunny will get Blue * younger at middle * many extra! For piano, guitar, digital keyboard and all C tools.

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Extra resources for Jazz of the 50's (Jazz Bible Fake Book Series)

Example text

Don't use either of those notes in the verse. Most often, verse melodies are lower than the chorus—they lead up to it. But this is not an absolute. All the rules of songwriting are meant to be broken. As for rhythm and syllabic content, don't use the same motif throughout the song. If both your verse and chorus are on the busy side, make sure the movement of the melody is different. In other words, the accents should fall in different places. Let's talk about chords and chordal rhythms. The same notes can sound completely different depending on the chords you're playing and their movement.

Then there are songs that can take weeks or even months to complete. Sometimes this is because these tunes are fighting themselves: the music and the lyric don't fit together and there are roadblocks everywhere. When you're writing, you want to constantly let WORKSHOPS i)7 your mind go, so the ideas can work themselves out. Of course, few songs happen in one sitting, but if you find yourself struggling for weeks, be prepared to let go of something. Put the pieces away, and you might find that you can use them in future songs.

What follows is a foray into that search for the muse. 37 38 SONGWRITING AND THE GUITAR WRITING FROM BOTH SIDES OF THE BRAIN The important thing is to write. It took me years to realize that songs don't happen unless I write them. Sounds simple. I think of it like fishing—you can't catch anything unless you go to the water's edge and put the line in. So I set myself up to catch whatever falls into my lap. When I am starting a writing cycle—because it goes in cycles for me—I begin with my journal.

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Jazz of the 50's (Jazz Bible Fake Book Series) by Rob DuBoff


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