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Extra info for Hirsutae Coronae. Archaic Roman Poetry and its Meaning to Later Generations (Illinois Classical Studies, Vol.VIII, No.2, 1983.)

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He saw it as a confirmation of Fraenkel's ^^Ibid.. pp. 307 ff. 2 206 that it was precisely in these formal additions to the Greek models that Plautus showed the greatest stylistic independence from the Greek models. But once again, a negative image of the same picture gives us Roman tragedy as the starting point; the innovation is an increasing approximation to the style and aesthetic of Greek comedy. thesis I have suggested that the Roman palliata ought not to be thought of as a genre which was born fully formed.

Ence. To illustrate what ata through the eyes of I mean, let us briefly look at the Plautine some Samnite palli- enthusiast of the Atellan farce. Now one arrives at a very different judgment of Plautus' intentions, and a very diff'erent judgment of his audience as well. Lovable old Dossenus has been turned into an uppity Greek slave. One's enjoyment of the stooge. Pappus, has been undermined by seeing him burdened with a spineless and spendthrift son. Overall, a robust, national art form has been mongrelized and enfeebled just to gratify the Roman audience's unwholesome preoccupation with the underside of Hellenic culture.

P. 169. loc. J. Newman K. 187 Ennius could describe the battles of consuls and tribunes in Homeric terms, while aiming to make a somewhat different impact on his audience from the trite equations implied by the Hellenistic historical epic. His listeners would be predisposed to see the present as something likely to be better than the past, rather than to recognize with a yawn the tired propaganda put out by hired mouthpieces. Alexander the Great had said that he would rather be Homer's Thersites than Choerilus of lasos' Achilles, and he wept at Achilles' tomb because Achilles had had such a poet to celebrate his glory (and he had not).

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Hirsutae Coronae. Archaic Roman Poetry and its Meaning to Later Generations (Illinois Classical Studies, Vol.VIII, No.2, 1983.) by Edited by J.K. Newman


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