By Pratap Singh Dhulia
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10). Instead, femininity is just one of many performances that modern women employ. Similarly complicating the idea of the American woman, hooks’s (2000) and Joseph and Lewis’s (1981) research on African American women, Beemyn and Eliason’s (1996) work on lesbians, Anzuldúa’s (1999) ideas on Latino femininity, and Espiritu’s (1997) analysis of Asian Americans have all argued for a more complex and multicultural understanding of femininity. The white middle-class men and women in this study, however, conceived of femininity as the sum of five traditional, interrelated categories that antithetically mirrored their traditional ideas of masculinity.
To be a real man means not to be feminine or risk being ridiculed as a sissy, fag, or mama’s boy. Conversely, to be a good woman means not to act masculine or risk being disparaged as a bitch, butch, or dyke. Gender Themes of Masculinity Gender Themes of Femininity Heterosexual Promiscuity Toughness and Assertiveness Imposing Physical Type Relational Independence Professional Orientation ↔ ↔ ↔ ↔ ↔ Monogamy and Virginity Nurturing and Caring Petite Physical Type Relational Interdependence Domestic Orientation Figure 1.
It is this masquerade of neutrality that prevents them from both seriously contemplating the logic or saneness of their gendered actions and conceiving, much less adopting, new and unconventional scripts. ) disobey the natural dictates of appropriate gender behavior. However, this resistance to nontraditional gender roles and the 26 i n s i d e g r e e k u . durability of the status quo does not eliminate the possibility of change and subversion: “If gender is a performance, then it can be turned on its head—or turned into anything” (Gauntlett, 2002, p.
H.S.C. Admissions by Pratap Singh Dhulia