By J. Fitzgerald
This e-book examines the forces that form psychoactive drug use. The technique, knowledgeable via poststructuralist semiotics, tradition, phenomenology and modern theories of have an effect on, illuminates the connections among medicines, our bodies, area, economic climate and crime.
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Extra info for Framing Drug Use: Bodies, Space, Economy and Crime
Indeed, for Derrida, if there is never a theorem for drugs, there can never be a scientiﬁc competence for them either. For Derrida, the distinction between legal and illegal drugs is based in a liberal tradition that links alcohol and tobacco consumption to the public realm whereas the consumption of illicit drugs is reserved for the private domain. Derrida also notes that while the liberal tradition allows an individual to partake in whatever they like in private, the drug user is a consumer and therefore is always already participating in the open market and in public discourse.
282). Perception draws on the habituated and chaotic elements of the world to bring qualities to perceptions. In amodal completion, ‘perception is caught in the act of feeding back into its conditions of emergence’ (p. 282). The non-seen, those visual elements and qualities that are perceived yet unrecognized, are for Massumi more likely to be ontologically reliable, whereas the seen is less reliable: Objects of vision are added ingredients to experience: experienced oversights or excess seeings.
Central to the visual power of the work was an extreme close up of a plume of blood coursing through the barrel of a glass-barrelled syringe. The image was at the same time disturbing, beautiful and vaguely familiar. The realer-than-real quality of the work did not happen by chance. The advertisers who scripted the piece had drawn inspiration from three of the most famous drug ﬁlms of the day: Trainspotting, The Basketball Diaries and Pulp Fiction. Trainspotting and Pulp Fiction were used to inform the visual narrative and Basketball Diaries was used to structure the voiceover narrative.
Framing Drug Use: Bodies, Space, Economy and Crime by J. Fitzgerald