By Jane Austen
Emma Woodhouse is a filthy rich, beautiful, and punctiliously self-deluded younger girl who has "lived on the earth with little or no to misery or vex her."
Jane Austen workouts her style for slicing social statement and her expertise for making an investment doubtless trivial occasions with profound ethical importance as Emma traverses a gradual satire of provincial balls and drawing rooms, alongside the way in which encountering the candy Harriet Smith, the chatty and tedious pass over Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's most interesting personages. pondering herself impervious to romance of any type, Emma attempts to rearrange a filthy rich marriage for bad Harriet, yet refuses to acknowledge her personal emotions for the gallant Mr. Knightley. What ensues is a pleasant sequence of scheming escapades within which each social machination and little bit of "tittle-tattle" is steeped in Austen's scrumptious irony. finally, Emma discovers that "Perfect happiness, even in reminiscence, isn't common."
Virginia Woolf referred to as Jane Austen "the such a lot excellent artist between women," and Emma Woodhouse is arguably her such a lot ideal production. notwithstanding Austen discovered her heroine to be someone whom "no one yet myself will a lot like," Emma is her such a lot cleverly woven, riotously comedic, and wonderful novel of manners.
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Additional resources for Emma (Barnes & Noble Classics Series)
Page 346) Š Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken. com/classics Š Š Begun in 1814, Emma was first published in 1816. Š Introduction, Notes, and For Further Reading Copyright ũ 2004 by Steven Marcus. Š Note on Jane Austen, The World of Jane Austen and Emma, Notes, Inspired by Emma, Comments & Questions, and For Further Reading Copyright ũ 2004 by Barnes & Noble, Inc. Š All rights reserved.
She thinks of Jane Fairfax舗s behavior as 舠quite a separate puzzle舡 (p. 256). Frank Churchill is Emma舗s superior at playing make-believe; his entire relation to her can be thought of as a kind of game of pretending, an exercise in frivolity, bluffing, and fakery, while his treatment of Jane has a distinct element of teasing, of sadistic playfulness and rule-breaking license to it. 舡 And although she qualifies this by saying that the demand applies to her relations to men, it equally includes Mrs.
Emma (Barnes & Noble Classics Series) by Jane Austen