Community Music: In Theory and In Practice - download pdf or read online

By Lee Higgins

ISBN-10: 0199777837

ISBN-13: 9780199777839

Group musicians circulate in lots of various settings, and facilitate neighborhood tune actions in a wide range of group contexts together with faculties, hospitals, locations of worship, tune gala's, and prisons. Underscoring the significance of lively participation and sensitivity to context, they combine actions corresponding to listening, improvising, inventing and appearing whereas emphasizing equality of chance and fostering a various and inviting surroundings for all. In Community song: In idea and in Practice, writer Lee Higgins, a well-known chief within the learn and advocacy of group track, investigates an interventional process towards lively tune making outdoor of formal educating and studying events. Situating group tune inside brand new wider musical panorama, Higgins publications the reader via a old standpoint at the stream and an exam of its features of perform, and concludes with a dialogue of destiny implications and instructions for this targeted and more and more major music-making self-discipline. the 1st full-length paintings at the topic, Community song: In thought and In Practice is a must-read for someone invested in track schooling, tune treatment, utilized ethnomusicology, or neighborhood cultural improvement, in addition to the practitioners and contributors of neighborhood track actions.

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Extra resources for Community Music: In Theory and In Practice

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COMMUNIT Y CULTURAL DEVELOPMENT Predominantly used in the United States and Australia, the phrase community cultural development replaces the term community arts because community arts is often used to describe conventional arts activity that is based in a municipality, including the many amateur theaters, drama, dance, and music societies ubiquitously found throughout these countries (Adams and Goldbard, 2001). As a description for musical activities, community music is often used in this context also, a signifier for amateur music making, a recreational activity that does not necessarily have an emphasis on social transformation.

DEFINITIONS The early work of the ACA created no manifestos or official proclamations. There was no conscious attempt to create a membership, just a fluctuating group of mainly young artists working in an unorthodox manner. Th rough meetings and discussions, the artists involved developed common ideological motives as noted above, leading to a general understanding as to the characteristics of the practice. The Baldry report (1974) had stated that although it was offered many defi nitions of community arts, it found none of them completely satisfactory.

14). The Council of Europe’s response to its own directive implemented the creation of the “socio-cultural animateur,” described by Braden as “part priest, part artist, who breathes life into a community” (p. 178). These types of employment opportunities flourished in the United Kingdom in the 1980s, emphasizing local cultural expression and making available the appropriate media of expression, such as visual arts, drama, dance, or music. With ideas grounded in socialism and a desire for new social contexts in which to practice, community artists believed in a new classless politics.

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Community Music: In Theory and In Practice by Lee Higgins


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