By Janet Andrewes
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Additional resources for Bodywork: Dress As Cultural Tool (African Social Studies Series)
By the end of the century, the body that had emerged from the writing of anthropologists such as Mauss, Bourdieu, Csordas and Jackson had the capacity to learn, understand and take part in social life in a manner that would have been unthinkable at the beginning of it. In Techniques of the Body, Mauss also tells the story about soldiers belonging to the Worcestershire regiment who had successfully fought alongside the French infantry at the Battle of the Aisne. In order to commemorate and celebrate this event, they had adopted two French buglers.
3 This idea was taken 3 “The intellectualist analysis . . is less false than abstract. g. Foley , Johnson ). It challenged the sharp distinction that had previously been made between a subjective knower and an objective world, proposing that knowledge is embodied in the lived histories of people and in their cultural practices. By the end of the century, the body that had emerged from the writing of anthropologists such as Mauss, Bourdieu, Csordas and Jackson had the capacity to learn, understand and take part in social life in a manner that would have been unthinkable at the beginning of it.
He is interested in the body as a set of characteristics yet he overlooks the character of the body itself. Three centuries previously the intellectual and scientiﬁc explosion had more or less secularized the body and turned it into an object of study, relegating it to the sphere of medicine and nature. Rembrandt’s painting The Anatomy Lesson portrays the triumph of the mind over the body, the body, in this case, a white, marbled, statuelike ‘thing’, laid out and lifeless under the curious and passionate gaze of the eminent physicians.
Bodywork: Dress As Cultural Tool (African Social Studies Series) by Janet Andrewes