Biographical Encyclopedia of the Modern Middle East and by Fischbach PDF

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For all this, I do not give a theme. I feel it and I put it onto paper. I take pleasure in that, but I cannot say why my painting is like this or like that. When I paint, I am happy, I am in another world, I forget everything. ’’ I find that if I change, I will no longer be Baya. ( FER H AN I, A M E´ Z IA NE . ’ ’ IN TRO I S FE M M ES P EIN T RES . PA RI S : IN S T IT UT D U M O N D E A RA BE ET E DIFR A [ 1990] : 19. ) THE WORLD’S PERSPECTIVE The issue of Derrie`re le miroir (the Galerie Maeght’s own magazine, which served as a catalog of its exhibitions) devoted to Baya’s 1947 show contained commentaries on her work by Andre´ Breton, E´mile Dermenghem, and Jean Pe´rissac.

She moved to Blida with her husband and raised six children. During these initial years of marriage and motherhood, Baya temporarily abandoned her art. Although critics can only speculate on the significance of this detail, the decade of Baya’s break from painting corresponds with the years of the Algerian war for independence (Khanna, 2003, p. 261). The Algerian author Assia Djebar observed that Baya appreciated the ‘‘protected’’ environment of her ‘‘sanctuary-home’’ (Djebar, 1990, pp. 17–18; author’s translation for all quotes).

E. E. citizens to replace officers and soldiers from other countries, especially Oman and Pakistan. Dubai as a Commercial Center Shaykh Muhammad remained involved in domestic developments in Dubai, especially in its booming commercial sector. In 1977, he was tasked by his father, Shaykh Rashid, with administrative responsibility for Dubai’s international airport. In keeping with the al-Maktum family’s interest in international trade, Shaykh Muhammad quickly grasped the potential business opportunities represented by a stateof-the-art facility that would provide world-class shopping and other amenities to passengers transiting Dubai on international aircraft.

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Biographical Encyclopedia of the Modern Middle East and North Africa by Fischbach

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