By Charles Juliet
L’amour s'empare d'un homme, mais l. a. femme qui le hante est trop jeune, ou elle regarde ailleurs, ou elle a judgment of right and wrong que los angeles distance qui les sépare ne pourra être abolie. Renvoyé à lui-même, à une solitude accrue, cet homme vit une crise qui l’ébranle en profondeur. Il renonce, ou à l'inverse, il se bat, s'ingénie à vaincre les résistances. Un jour, l'imprévu survient, à moins que le temps ait modifié los angeles scenario et rendu attainable ce qui ne l’était pas. Alors cet amour qui lancinait, érodait, déchirait, soudain il délivre, pacifie, ouvre largement les portes sur une vie qui s'éclaire, va multiplier ses dons...
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You must lend me these, Basil,’ he cried. ‘I want to learn them. ’ ‘Oh, I am tired of sitting, and I don’t want a life-sized portrait of myself,’ answered the lad, swinging round on the music-stool, in a wilful, petulant manner. When he caught sight of Lord Henry, a faint blush coloured his cheeks for a moment, and he started up. ’ ‘This is Lord Henry Wotton, Dorian, an old Oxford friend of mine. ’ ‘You have not spoiled my pleasure in meeting you, Mr. Gray,’ said Lord Henry, stepping forward and extending his hand.
Ian Small (Oxford: Oxford University Press, ). –––– Studies in the History of Renaissance (), revised and expanded as The Renaissance (), repr. in The Renaissance: Studies in Art and Poetry––The Text, ed. Donald L. Hill (Berkeley and Los Angeles: University of California Press, ). Hill’s edition notes the textual variants in the four editions of The Renaissance that Pater published during his lifetime. Suetonius, Lives of the Caesars, ed. and trans. Catharine Edwards (Oxford: Oxford University Press, ).
Basil, this is extraordinary! ’ Hallward got up from the seat, and walked up and down the garden. After some time he came back. ‘Harry,’ he said, ‘Dorian Gray is to me simply a motive in art. You might see nothing in him. I see everything in him. He is never more present in my work than when no image of him is there. He is a suggestion, as I have said, of a new manner. I ﬁnd him in the curves of certain lines, in the loveliness and subtleties of certain colours. ’ asked Lord Henry. ‘Because, without intending it, I have put into it some expression of all this curious artistic idolatry,* of which, of course, I have never cared to speak to him.
Attente en automne by Charles Juliet