Espen Hammer's Adorno's Modernism: Art, Experience, and Catastrophe PDF

By Espen Hammer

ISBN-10: 1316414302

ISBN-13: 9781316414309

Theodor W. Adorno's aesthetics has ruled discussions approximately artwork and aesthetic modernism due to the fact global conflict II, and keeps to notify modern theorizing. Situating Adorno's aesthetic conception within the context of post-Kantian eu philosophy, Espen Hammer explores Adorno's severe view of paintings as engaged in reconsidering basic positive aspects of our relation to nature and fact.

His ebook is dependent round what Adorno considered as the modern aesthetician's overarching job: to accomplish a imaginative and prescient of the destiny of paintings within the glossy international, whereas demonstrating its targeted cognitive power. Hammer deals a full of life exam of Adorno's paintings throughout the crucial challenge of what complete human self-actualization will require, and in addition discusses the broader philosophical importance of aesthetic modernism.

This publication can be a priceless source for students and scholars of social philosophy, artwork, and aesthetics.

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Extra info for Adorno's Modernism: Art, Experience, and Catastrophe

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Rather, they are embodied and expressed in the cultural production of a particular period. (This is one of the ways in which understanding spirit is circular, making straightforward definitions, requiring non-circularity, impossible: we read the demands of spirit off from culture, but we also interpret culture in the light of these demands. ) The detour through Hegel’s account of spirit also makes it evident that, ultimately, there is no deep appearance/essence distinction at stake in Adorno’s account of social critique.

In order to be free, I must be able to commit myself rationally to my own projects in such a way as to be able to identify with them as reflective of my being in the largest possible sense, and I can do so only if my making these commitments is recognized 14 G. W. F. Hegel, Elements of the Philosophy of Right, ed. Allen W. Wood, trans. H. B. ” For an informative discussion of the meaning of Beisichselbstsein in einem Anderen, see Allen W. Wood, Hegel’s Ethical Thought (Cambridge: Cambridge University Press, 1990), pp.

For Adorno, by contrast, a gap of that kind is a socially and historically constituted fact. Spirit, Adorno argues, is now structured by empty repetition, routine, and impersonal principle, conforming to but not actively and rationally submitting to law. Thus, there are good reasons to think that it does not provide adequate resources for successfully determining the reality in which modern agents find themselves. As I explore in the next chapter, one of the crucial ways in which art lays claim to being cognitively significant is in its capacity to express “externality” – that which, call it nature, falls outside the reigning (ideological) interpretations of reality.

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Adorno's Modernism: Art, Experience, and Catastrophe by Espen Hammer

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