Download e-book for iPad: A Guide to the Harpsichord by Ann Bond

By Ann Bond

ISBN-10: 1574670638

ISBN-13: 9781574670639

This useful consultant treats the mechanics and evolution of the software and gives a survey of its literature. the writer discusses contact and strategy, together with articulation and fingering, and the problems fascinated by old functionality practices. She additionally presents feedback on choosing and holding a harpsichord.

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Additional info for A Guide to the Harpsichord

Sample text

On the other hand, don't be afraid of the instrumentit is by no means fragile. Harpsichord music occasionally calls for quite a lot of grip and attack, and a dramatic passage may elicit some energetic hand movement. Generally, though, you should aim at a quiet manner at the keyboard, reflecting an inner certainty and tranquillity. Students often ask whether they should look at the keyboard when they play. There is no single answer to this. It depends whether you are sight-reading, playing from memory, or something in between.

Although English harpsichord building continued vigorously until almost 1800, with the wisdom of hindsight we can see that the final two decades of the century were a period of decline, whose compromises helped consign the instrument to temporary oblivion. Notes 1. Hubbard 196567. A comprehensive study by a writer who was also an eminent builder of harpsichords in the United States. As well as historical accounts of the major schools, it also contains valuable appendixes and pictorial illustrations from contemporary sources.

It is invidious to mention performers of the 1950s and 1960s, many of whom, although holding ideas about performing early music we might not now agree with, were wonderfully accomplished players and did much to popularize the repertory. One might however regard George Malcolm and Rafael Puyana as the last exponents of the colorist style. The truly great musicologist and harpsichordist Thurston Dart did more than any other single person to explore and open up the world of early music in the same two decades, and to his example we owe many fundamental procedures of editing and research.

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A Guide to the Harpsichord by Ann Bond


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